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Human Rights! [1968] – 1968 is one of the most charged years of the 1900s with all conflicts around the civil rights movement in the United States, apartheid in South Africa, the student revolt in Paris, the ongoing Vietnam War and the Prague spring, just to name the prime ones. It is a year that this song reminds us of has, no doubt, left an imprint for all future in many areas.

Video: Human Rights! [1968]
With Armand Gutheim, Charlotte Assarsson, Yvan Auzely, Simon Mårtensson, Peter Lagergren.



music and lyrics: Armand Gutheim

There’s a magical vibration
we can all feel in the air
Now’s the time for celebration
or another fight to share

bridge - - -
You don’t know what’s real repression
You just know what power is
You don’t know what’s real regression
You just know what sour is

chorus - - -
Human rights!
That’s what we are fighting for
Human rights!
By now you should know the score

Everywhere’s a fight for freedom
but the reason can diverge
They can win while reaching stardom
then a new foe may emerge

bridge - - -
You don’t know what’s real injustice
You just think you’re worth it all
You don’t know what real distrust is
You think someone else should fall

chorus - - -



from The Lost Memorial of the 1900s​.​.​., released December 15, 2018
Music, lyrics, concept, design, recording: Armand Gutheim.
Mixing: Armand Gutheim, Simon Mårtensson.
Mastering: Simon Mårtensson.
Recorded, mixed and mastered at Mother Earth Studio, Stockholm, Sweden.
Produced by Armand Gutheim, Mother Earth Artists.
Musicians: Armand Gutheim, Hans Müller, Simon Mårtensson, Yvan Auzely, Charlotte Assarsson, Sabina Gutheim, Sven-Olov Persson, Peter Lagergren and the Nynäshamn Chamber Choir conducted by Karl Nicklas Gustavsson.


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Armand Gutheim Stockholm, Sweden

Armand Gutheim was born in 1960 and has since the age of 8 been active as an artist, composer, director and choreographer, as well as lyricist, librettist, photographer, painter and producer. In his multifaceted productions, Armand Gutheim often expresses much empathy and involvement in the great human issues, but always letting the art speak for itself, not seldom with a glimpse in the eye. ... more

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